I take on a limited number of writing assignments these days, since I’m more focused on my jewelry business. But words live forever.

So here are a few of my favorite pieces. My selection criteria: I had to like the way the story came out,  and I had to be able to easily find it online. They’re not in any particular order. And in several instances, I used my working title for the piece, not the one the publication gave it.


Selected Works:


  • A Mule’s Errand: Visiting Kalaupapa Settlement, less sensitively known as “the leper colony,” in Hawaii. On the back of a mule named Koa who really, really didn’t like me. [Out Aloha]
  • A Travel Guide to American Hypocrisy: A dramatic re-enactment of the first reading of the Declaration of Independence in Philadelphia, a woman who pioneered modern travel writing, and a park ranger in a pannier. [The Millions]
  • Not Pretty in Paris:
    A meditation on appearance anxiety in Paris, which is in some ways the story of a hair cut, but also a consideration of the Charles Garnier Opera, the history of mirrors, the nature of global franchising. [The Smart Set]
  • The Ass Grab: In which I puzzle through a street harassment incident in Marrakech. [The Washington Post]
  • My Venetian Crime Spree: In which I try to rip off Venice — and eventually feel her wrath. [The Toronto Star]
  • Naked, with a Passport: In which I learn the meaning of the word “naked”, in spas from Kerala, India, to Baden Baden, Germany.  [The Travel Channel’s World Hum]
  • The Heat Seeker: A five-part series on tracking down the spiciest food I could handle. [The Travel Channel’s World Hum, anthologized in Best Women’s Travel Writing 2010]
  • Staring at the Evil Eye in Istanbul: Getting freaky with blue eye amulets in Istanbul. [Perceptive Travel]
  • Lightness of Being: Coming to terms with a big change at a Mayan yoga retreat in Honduras. [Yoga Journal magazine.]
  • Jewish Barbados – Tracking Down the Tribe: What is truth and what is fiction? [The Huffington Post]
  • Winter Scuba: Learning to scuba dive in Roatan. [The Street]
  • The Mobility Myth: In which I engage in a bit of cultural criticism. [Reason Magazine]
  • Is He Dead? This memoir essay won a contest sponsored by the Rubin Art Museum. [Killing the Buddha]
  • Sin City’s Secret Virtue: Collecting rare books in Las Vegas [Robb Report]
  • Your Name In Stickup Light Bulbs! A feature on infomercials. [New York Magazine]
  • Montreal’s Smoked Meat: Here’s an example of what I do for About.com [ About.com Culinary Travel]
  • The Temptation of Tourist Traps:  Ambiance and quality — why so hard to have both? [About.com Culinary Travel]
  • Sail French Polynesia: An example of what I do for Luxist. [Aol’s Luxist]
  • Into the Wild In which I go backpacking in the Wyoming wilderness. On purpose. [Inc. Magazine]
  • Fresh Air: Warsaw It wasn’t as bleak as I’d been expecting.  [Business Traveler]
  • Medieval Cold Medicine: I try to cook up an ancient cold medicine/candy. [The Atlantic’s Food Channel]


More history:

I serve on the faculty of Gotham Writers’ Workshop, and have very much enjoyed teaching.

I was the culinary travel editor for About.com from the site’s launch in 2009, until I got restless in 2013. I also spent about five years writing a weekly essay on travel, culture and more for Perceptive Travel.

I’ve also been a contributing editor at Inc. magazine, editor-at-large at American Demographics magazine, a New York Times Professional Fellow and a National Press Foundation Fellow. My articles have won awards from the American Society of Journalists and Authors and the American Society of Business Press Editors. I’ve given presentations on travel writing (and writing generally) for conferences including AWP, TBEX , and ASJA.

I started my career writing books, and am the proud author of Americans at Play, which is about trends in outdoor recreation and travel (New Strategist 1997) and Best of Health, which is about trends in health. (New Strategist, 2000).

Much of this work was published under the name Alison Stein Wellner. I am her, she is me.


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